The title of Gregory Wolfe’s excellent collection of essays, Beauty Will Save the World, is based on a much-quoted line from Dostoevsky’s The Idiot. In its context it appears only in indirect speech, being attributed by one of the other characters to the “Idiot” of the title, Prince Myshkin. Thus in its original context its meaning is ambiguous, or at least ill-defined. That makes it doubly appropriate for Greg’s title, since he is arguing against the “ideologues” of today’s culture wars in favour of a literary and imaginative approach to the truth. Conservatives have succumbed to philistinism, and fail to appreciate modern art, he argues. Great literature, and art in general, explores the world—and today that means the modern world—from the inside. It is not preachy or moralistic; as a result, conservatives of a Puritan or pragmatic bent often find it unedifying, or even profane. But it is legitimate, Greg believes, for art to shock, to revolt against established conventions, to make explicit what others may hesitate to look upon. In many cases this may the only way for the artist to discover a “redemptive path toward order”.
A particular target of the book seems to be those conservatives who can see nothing good coming out of modernity except the Inklings. I suspect Greg numbers me among them, although in reality my tastes are much broader than the things I tend to write about. But it is the case that my interest is less in literature and the arts, important though these are in posing the right questions and exploring the ambiguities of our time, than in philosophy and theology, where we legitimately search for answers to those very questions. This is not the same as seeking an ideology, though of course a theology can be rendered ideological easily enough. Theology at its most authentic is not a fortress of ideas, but more like a path across a landscape, a route map, or a system of signposts. It is intrinsically mystical, it is of the spirit not the letter.
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