by Russell Kirk

Walk beside the Liffey in Dublin, a trifle west of the dome of the Four Courts, and you come to Number 12, Arran Quay. This is a brick building of three stories, which began as a gentleman’s residence, some time since became a shop, and now is a governmental office of the meaner sort—symbolic of changes on a mightier scale during the generations since 1729. For here in that year Edmund Burke was born. Across the river you see what once was the town house of the Earls of Moira and is now the office of a society for suppressing mendicity; and beyond that, the great Guinness brewery. Back of Burke’s house, toward the old church of St. Michan in which, they say, he was baptised, stretch tottering brick slums where barefoot children scramble over broken walls. If you turn toward O’Connell Street, an easy stroll takes you to the noble façade of Trinity College and the statues of Burke and Goldsmith; to the north, near Parnell Square, you may hear living Irish orators proclaiming through amplifiers that they have succeeded in increasing sevenfold the pensions of widows, a mere earnest of their intent. And you may reflect, with Burke, “What shadows we are, and what shadows we pursue!”
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