Chesterton’s Islamic England
G.K. Chesterton had a knack for anticipating future trends but when, in his 1914 novel The Flying Inn, he anticipated the Islamization of England, it seemed so far out of the realm of possibility that it was difficult to take it as anything but a flight of fancy.
True enough, the book has a whimsical, Pickwickian quality. It follows the rambling adventures of two British stalwarts, Patrick Dalroy and Humphrey Pump, as they try to stay one step ahead of the law, dispensing free liquor as they go in an England where alcohol has been banned. The “Flying Inn” is their motor car which they have furnished with a large keg of rum, a cask of cheese, and a pub sign.
Roughly one hundred years later, Chesterton’s scenario no longer seems improbable. Many observers believe the Islamization of England is just a matter of time. For example, in her 2006 book Londonistan, Melanie Phillips presents a detailed description of the Islamic “colonization” of England now underway and shows how it is made possible by the governing class’ abandonment of cultural and spiritual values. Chesterton was remarkably prescient not only in imagining that Islamization might happen, but also in envisioning how it would happen—through the instrumentality of a deracinated governing class. The reason that alcohol is banned in Chesterton’s tale is because some upper-class elites have become enamored of Islam and everything Islamic—including the prohibition of drink. Chief among these is Lord Ivywood, a Nietzschean diplomat who has enlisted the aid of a mysterious Turk, Misyra Ammon, to spread the new gospel among the jaded upper class who find exotic Islam to be more exciting than their own traditions and religion.
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