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viernes, 22 de febrero de 2019

The way that beauty conquers nihilism, and affirms reality, being, and truth ...


Beauty: A Necessity, Not a Luxury




by Fr. Charles Klamut


Just when I am about to succumb to the sadness and living death of nihilism, some piercing ray of beauty breaks open my heart, and the breath of possibility returns. I recently visited the Botanical Garden in St Louis. Amid the sights and smells, the colors and creatures, the sun, the architecture, and the sheer gratuity of so much botanical diversity, I felt happy to be alive. Drinking it in, I turned to a friend and said, “How could we live without this?” He replied, “We couldn’t.”

I’ve been thinking about this little exchange. Upon reflection, I am becoming certain that they are not just sentimental words, but the truth. And with this conviction, I’m not alone.

Luigi Giussani, the great 20th century priest, educator, and writer (and whose cause for canonization has just begun), insisted throughout his great life on our need for beauty; for beautiful, real things which have the power to awaken our hearts. During Cardinal Joseph Ratzinger’s homily for Fr Giussani’s funeral in 2005, two months shy of his unsuspected elevation to the papacy, he said that Fr Giussani was “wounded by the desire for beauty.” He noted how much Fr Giussani loved music, and said that, in looking for Beauty itself, he was looking for Christ.

In Giussani, we have an author whose books overflow with quotations from poets, novelists and philosophers; a priest whose ministry to students often took place on hikes through the Alps; a teacher who raised the eyebrows of colleagues by walking into the classroom at Berchet High School, back in his early days of teaching, carrying a phonograph with records of Chopin and Beethoven, in order to provoke his students with the wound of beauty. Jesus said: “You will know them by their fruits.” By sharing his own wound for beauty with his students, the fruit of Giussani has become a movement in the church called: Communion and Liberation, which has moved the hearts of its members in almost 100 countries now.

Giussani is not the only modern day Catholic luminary to champion the cause of beauty. On Easter Sunday, 1999, Pope John Paul II issued his “Letter to Artists.” This profound document is not just for artists, but for everyone, offering a deep reflection on the mystery of the human person and the innate human need for beauty. According to Blessed John Paul II, beauty offers “a momentary glimpse of the vastness of light that has its original wellspring in God” (# 7). The Pope says that “every genuine art form, in its own way, is a path to the inmost reality of the human being and the world. It is, therefore, a wholly valid approach to the realm of faith, which gives human experience its ultimate meaning” (# 7).

The Pope goes through a brief historical sketch of the many ways the Gospel has inspired “epiphanies” of beauty which artists have shared with the Church and the world. He speaks favorably of the enormously fruitful alliance between faith and art, and between the Church and artists, and has sections entitled, “The Church Needs Art” and “Does Art Need the Church?”(to which he answers a resounding “yes!”).

He links true art with an authentic Christian humanism, saying:“Even beyond its typically religious expressions, true art has a close affinity with the world of faith, so that, even in situations where culture and the Church are far apart, art remains a kind of bridge to religious experience. Insofar as it seeks the beautiful, as the fruit of an imagination which rises above the everyday, art is by its nature a kind of appeal to the Mystery” (# 10).

The Pope also said that, in light of Vatican II, we need to build on the foundation laid there for “a renewed relationship between the Church and culture.” Art is a privileged way of doing this. Quoting Vatican II, he said, “This world needs beauty in order not to sink into despair. Beauty, like truth, brings joy to the human heart, and is that precious fruit which resists the erosion of time, which unites generations and enables them to be one in admiration” (# 11, quoting from a talk given by Council Fathers at the end of Vatican II).

Pope Benedict XVI shares his predecessor’s views on the importance of art and beauty in the life of faith. As Cardinal Ratzinger, he made some comments along these lines which are very inspiring. In a message to members of Communion and Liberation in 2002, he said “Christian art today… must oppose the cult of the ugly.” He spoke of the “wound” of beauty which inspires and provokes man with nostalgia for his transcendent destiny. 

He quotes Plato’s “Phaedrus,” reflecting as follows:
Plato contemplates the encounter with beauty as the salutary emotional shock that makes man leave his shell and sparks his “enthusiasm” by attracting him to what is other than himself. Man, says Plato, has lost the original perfection that was conceived for him. He is now perennially searching for the healing primitive form. Nostalgia and longing impel him to pursue the quest; beauty prevents him from being content with just daily life. It causes him to suffer. In the Platonic sense, we could say that the arrow of nostalgia pierces man, wounds him and, in this way, gives him wings, lifts him upwards toward the transcendent … The beautiful wounds, but this is exactly how it summons man to his final destiny.
He describes an experience he had at a Bach concert he attended with his friend, Lutheran Bishop Hanselmann: “When the last note triumphantly faded away, we looked at each other spontaneously, and right then we said: ‘Anyone who has heard this, knows that the faith is true.’ The music had such an extraordinary force of reality that we realized, no longer by deduction, but by the impact with our hearts, that it could not have originated from nothingness, but could only have come to be through the power of the Truth that became real in the composer’s inspiration.” He is describing the way that beauty conquers nihilism, and affirms reality, being, and truth. Ratzinger is not content to dwell just on artistic beauty. He goes on to speak of the beauty of holiness, and its power to convince a skeptical world weary of words. “I have often affirmed my conviction that the true apology of Christian faith, the most convincing demonstration of its truth against every denial, are the saints, and the beauty that the faith has generated. Today, for faith to grow, we must lead ourselves, and the persons we meet, to encounter the saints, and to enter into contact with the Beautiful.”

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Read more: theimaginativeconservative.org

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