Czech Communist Nostalgia
in an Immature Democracy
A society that keeps looking in the rear-view mirror
is bound to crash into something.
Meanwhile, mementoes from the Czechoslovak Communist regime, especially from the consumer culture of the so-called normalization in the 1970 and 1980s, have become almost fashionable and cool. Television “retro” shows have gained popularity, and reruns of old communist series continue to occupy prime slots on most Czech television channels. Czechs watch with pleasure the new documentary magazine Retro and the fictional series Wonderful Times. Both focus on the not-so wonderful years during communism, but mostly from an aesthetic rather than ideological point of view. Naturally, the public prefers to discuss the accuracy of the costumes and furniture rather than the terror of the secret police. The communist-produced and propaganda-filled crime show Major Zeman and the working class epic Woman behind the Counter have aired many times since the fall of the oppressive regime, and plans for a post-communist sequel of Major Zeman are in full swing. Communist-era consumer products (food, drinks, detergents, or gym shoes) are experiencing a massive revival as a familiar alternative to the confusing overload of foreign goods. Disappointed with many side effects of the post-communist transformation, Czech society has mused nostalgically over the relatively safe and comfortable (if empty and insincere) life during late communism, while drifting away from any critical assessment of its own past failures.
The expectation of the state as an automatic and reliable provider is one of the most commonly shared nostalgic visions. People miss what they had been bribed with during communism to keep quiet: generous social programs, artificially sustained job security, low-cost housing, and subsidized public transportation, food, and services. Yet most people quickly gloss over the memories of everyday harassment by the authorities and the inability to travel or speak freely. Similarly, long lines in front of every store, the appalling condition of houses and roads, mandatory public rituals like the 1 May parades, or people stuck in meaningless jobs have diminished as the central themes of the collective memory. Instead, many often reminisce about the state-imposed egalitarianism as something not only acceptable but even desirable. Generations that grew up being told publicly that personal ambition destroys the collective spirit now struggle in an open market economy. Millions who were taught by their parents that indifference is the safest political stance now doubt their power as voters or civil society participants. People believe that post-communist governments are just as corrupt as the communist ones, only now many say the corruption is more visible. A large majority of the populace concludes there is simply nothing they can do about it.
Yet, without a continuation of the public debate about communism, the Czech Republic is doomed to repeat the mistakes of the past. Exposure to the different means of examining this critical period of Czech history must increase, not evaporate in a nostalgic haze. The Czech Republic still has no real museum of communism backed up by research institutions. Instead, tourists and Czechs flock to propaganda-themed bars and drink beer in 1970s décor-pubs complete with plastic tablecloths and communist newspaper clippings as wallpaper.
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